Two Spirit Representation
Màgòdiz
by Gabe Calderón
Everything that was green and good is gone, scorched away by a war that no one living remembers. The small surviving human population scavenges to get by; they cannot read or write and lack the tools or knowledge to rebuild. The only ones with any power are the mindless Enforcers, controlled by the Madjideye, a faceless, formless spiritual entity that has infiltrated the world to subjugate the human population.
A’tugwewinu is the last survivor of the Andwànikàdjigan. On the run from the Madjideye with her lover, Bèl, a descendant of the Warrior Nation, they seek to share what the world has forgotten: stories. In Pasakamate, both Shkitagen, the firekeeper of his generation, and his life’s heart, Nitàwesì, whose hands mend bones and cure sickness, attempt to find a home where they can raise children in peace, without fear of slavers or rising waters. In Zhōng yang, Riordan wheels around just fine, leading xir gang of misfits in hopes of surviving until the next meal. However, Elite Enforcer H-09761 (Yun Seo, who was abducted as a child, then tortured and brainwashed into servitude) is determined to arrest Riordan for theft of resources and will stop at nothing to bring xir to the Madjideye. In a ruined world, six people collide, discovering family and foe, navigating friendship and love, and reclaiming the sacredness of the gifts they carry.
Indigiqueerness
by Joshua Whitehead
Evolving from a conversation between author Joshua Whitehead and Angie Abdou, Indigiqueerness is part dialogue, part collage, and part memoir. Beginning with memories of his childhood poetry and prose and travelling through the library of his life, Whitehead contemplates the role of theory, Indigenous language, queerness, and fantastical worlds in all his artistic pursuits. Indigiqueerness is imbued with Whitehead’s energy and celebrates Indigenous writers and creators who defy expectations and transcend genres.
In this haunting, groundbreaking, historical novel, Danielle Daniel imagines the lives of her ancestors in the Algonquin territories of the 1600s, a story inspired by her family link to a girl murdered near Trois-Rivières in the early days of French settlement.
Marie, an Algonquin woman of the Weskarini Deer Clan, lost her first husband and her children to an Iroquois raid. In the aftermath of another lethal attack, her chief begs her to remarry for the sake of the clan. Marie is a healer who honours the ways of her people, and Pierre, the green-eyed ex-soldier from France who wants her for his bride, is not the man she would choose. But her people are dwindling, wracked by white men's diseases and nearly starving every winter as the game retreats away from the white settlements. If her chief believes such a marriage will cement their alliance with the French against the Iroquois and the British, she feels she has no choice. Though she does it reluctantly, and with some fear--Marie is trading the memory of the man she loved for a man she doesn't understand at all, and whose devout Catholicism blinds him to the ways of her people.
This beautiful, powerful novel brings to life women who have literally fallen through the cracks of settler histories. Especially Jeanne, the first child born of the new marriage, neither white nor Weskarini, but caught between worlds. As she reaches adolescence, it becomes clear she is two-spirited. In her mother's culture, she would have been considered blessed, her nature a sign of special wisdom. But to the settlers of New France, and even to her own father, Jeanne is unnatural, sinful--a woman to be shunned, and worse.
And so, with the poignant story of Jeanne, Danielle Daniel imagines her way into the heart and mind of a woman at the origin of the long history of violence against Indigenous women and the deliberate, equally violent, disruption of First Nations culture--opening a door long jammed shut, so all of us can enter.
Daughters of the Deer
by Danielle Daniel
Jonny Appleseed
by Joshua Whitehead
"You're gonna need a rock and a whole lotta medicine" is a mantra that Jonny Appleseed, a young Two-Spirit/Indigiqueer, repeats to himself in this vivid and utterly compelling novel. Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.
Sovereign Erotics: A Collection of Two-Spirit Literature
by Qwo-Li Driskill, Daniel Heath Justice, Lisa Tatonetti, Deborah A. Miranda
A Two-Spirit Journey is Ma-Nee Chacaby’s extraordinary account of her life as an Ojibwa-Cree lesbian. From her early, often harrowing memories of life and abuse in a remote Ojibwa community riven by poverty and alcoholism, Chacaby’s story is one of enduring and ultimately overcoming the social, economic, and health legacies of colonialism.
Two-Spirit people, identified by many different tribally specific names and standings within their communities, have been living, loving, and creating art since time immemorial. It wasn’t until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book’s publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people.
This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literature, Queer studies, and the intersections between the two.
Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century.
A Two-Spirit Journey: The Autobiography of a Lesbian Ojibwa-Cree Elder
by Ma-Nee Chacaby, Mary Louisa Plummer
A Two-Spirit Journey is Ma-Nee Chacaby’s extraordinary account of her life as an Ojibwa-Cree lesbian. From her early, often harrowing memories of life and abuse in a remote Ojibwa community riven by poverty and alcoholism, Chacaby’s story is one of enduring and ultimately overcoming the social, economic, and health legacies of colonialism.
As a child, Chacaby learned spiritual and cultural traditions from her Cree grandmother and trapping, hunting, and bush survival skills from her Ojibwa stepfather. She also suffered physical and sexual abuse by different adults, and by her teen years, she was an alcoholic herself. At twenty, Chacaby moved to Thunder Bay with her children to escape an abusive marriage. Abuse, compounded by racism, continued, but Chacaby found support to help herself and others. Over the following decades, she achieved sobriety; trained and worked as an alcoholism counsellor; raised her children and fostered many others; learned to live with visual impairment; and came out as a lesbian. In 2013, Chacaby led the first gay pride parade in her adopted city, Thunder Bay, Ontario.
Ma-Nee Chacaby has emerged from hardship grounded in faith, compassion, humour, and resilience. Her memoir provides unprecedented insights into the challenges still faced by many Indigenous people
Drowning in Fire
by Craig S. Womach
Josh Henneha has always been a traveller, drowning in dreams, burning with desires.
As a young boy growing up within the Muskogee Creek Nation in rural Oklahoma, Josh experiences a yearning for something he cannot tame. Quiet and skinny and shy, he feels out of place, at once inflamed and ashamed by his attraction to other boys. Driven by a need to understand himself and his history, Josh struggles to reconcile the conflicting voices he hears—from the messages of sin and scorn of the non-Indian Christian churches his parents attend in order to assimilate, to the powerful stories of his older Creek relatives, which have been the center of his upbringing, memory, and ongoing experience.
In his fevered and passionate dreams, Josh catches a glimpse of something that makes the Muskogee Creek world come alive. Lifted by his great-aunt Lucille’s tales of her own wild girlhood, Josh learns to fly back through time, to relive his people’s history, and uncover a hidden legacy of triumphs and betrayals, ceremonies and secrets he can forge into a new sense of himself.
When as a man, Josh rediscovers the boyhood friend who first stirred his desires, he realizes a transcendent love that helps take him even deeper into the Creek world he has explored all along in his imagination.
Interweaving past and present, history and story, explicit realism and dreamlike visions, Craig Womack’s Drowning in Fire explores a young man’s journey to understand his cultural and sexual identity within a framework drawn from the community of his origins. A groundbreaking and provocative coming-of-age story, Drowning in Fire is a vividly realized novel by an impressive literary talent.
Disintegrate/Dissociate
by Arielle Twist
In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.